Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Alma-Tadema, Sir Lawrence
A Colen of Vantage (nn03)

ID: 23247

Alma-Tadema, Sir Lawrence A Colen of Vantage (nn03)
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Alma-Tadema, Sir Lawrence A Colen of Vantage (nn03)


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Alma-Tadema, Sir Lawrence

b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.  Related Paintings of Alma-Tadema, Sir Lawrence :. | Resting (mk23) | Anna Alma-Tadema,The Drauwing Room at Toumshend House (mk23) | Strigils and Sponges (mk24) | A World of Their Own (mk24) | David Roberts,Portico of the Temple of Isis at Philae (mk23) |
Related Artists:
Marten de Vos
(1532-1603), also Maarten, was a leading Antwerp painter and draughtsman in the late sixteenth century.
Robert Hills
British Painter, 1769-1844 English painter and etcher. After taking drawing-lessons from John Alexander Gresse (1740-94), he enrolled at the Royal Academy Schools, London, in 1788. Village and rural scenes, and in particular studies of animals, occupied him throughout his working life; his favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, Hills carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds; the British Museum holds the artist's collection of his own etchings
Hippolyte-Lucas
French, 1854-1925






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